
Big Female Mask
The women's masks intervene on the occasion of the enthronement of the bosses and assert the rank of women in a society…
MFES-3
Text of the original catalogue
According to legend, at the end of the century XVIIIan Akan group, related to the Anyis, led by Queen Abla Pokou, niece of King Ashanti OsaiTutu, flees Ghana and tries to take refuge in Ivory Coast. He went to the death of the monarch when a war broke out over the succession to the throne between Abla and his brother Dako. Persecuted by Dako's troops, Abla is forced to flee to the neighbouring territory of Côte d'Ivoire as far as the river Comoé, infested with crocodile, west of Abenguru. Braking in their flight by this raging river and following the advice of their fortune-teller, the queen did not hesitate, to save her people and to be able to cross the river, to sacrifice her newborn son in order to obtain the help of the gods. Holding his son with both arms and lifting him over his head he threw him into the river shouting “baouli” (the child has died), thus giving a new name to his people. The crocodiles pelotated to get a part of the dam forming a compact and solid surface that allowed them to cross the river to their people. And this is how the people were born on this other shore of the Comore. BauléThe Baulé are located in the centre of Ivory Coast, in its capital Yamusukro and in the cities of Tiebisú, Tumodi, Dimbokro, Beumí and Sikasso, considered the moral capital of the Baulé, where legend tells that Queen Poku came with her people from Gana. They have ruled the country for forty years in the second half of the century XX. They learned, apparently, to carve the wood of the gourd and the aesthetic feeling that emerges from their masks and statues is unparalleled. For them, at birth, each individual leaves a family in the other world. In adulthood jealousy comes to the couple, instilled by the spouse of the afterlife. That is why the fortune teller orders to make a statue, as beautiful as possible, that will be welcomed as if the husband or wife of the other world came to reconcile with the spouse of the earth. After a ceremony, sort of a wedding, the statue will be kept in the bridal chamber, decorated and fed regularly. Blolo Bian is the husband and Blolo Blah the wife of the hereafter, our origin and our destiny. Therefore for I baulé their statues more than in relation to the world of ancestors are with the realm of divination. The Asian usu represent the spirits or geniuses of nature. They are intermediate divinities that can be favorable or harmful. In order to be favorable, the fortune-teller orders to carve an effigy as beautiful as possible, so that the genius will be at ease in his new cabin. He is usually depicted as a bearded man, of beautiful factions, sitting on a throne. Akan, often with an egg in hand, symbol of the universe. He will receive sacrifices and libations from families or from those possessed who will thus obtain his favors and protection. These statues will be transmitted from generation to generation to ensure the well-being of families.
608 objects · page 19 of 26

The women's masks intervene on the occasion of the enthronement of the bosses and assert the rank of women in a society…
MFES-3

Small masks also called “San Cristóbal”. They are employed by travellers travelling abroad or outside their region.
BR-34

Small masks also called “San Cristóbal”. They are employed by travellers travelling abroad or outside their region.
BR-35

Small masks also called “San Cristóbal”. They are employed by travellers travelling abroad or outside their region.
BR-36

The rooster, a domestic animal, is present in many cultures, religions, traditions and literary works in many countries.
VAR-31

The figure of motherhood is one of the oldest and most representative in Africa.
MTR-71

Mask belonging to a hunter or secret society of hunters.
MFZ-67

It weighs in the form of a four-point star with the drawing of a four-leaf tree inside.
PGM-40

It weighs in the form of a circle. Inside concentric circles crossed by a blade.
PGM-41

It weighs in the form of a triangle with a slit on each side.
PGM-42

Square piece with two groups of four lines at two ends and parallel another in the middle.
PGM-43

A FOUR PARALARY LINES GROUP DIVING THE WEIGHT IN TWO AND WITH TWO PERPENDICULARY LINES DIVIDING IT IN FOUR PARTIES.
PGM-44

It weighs in the form of a small rectangle with a drawing on the inside formed by four circle arches whose ends…
PGM-45

Curiosity weighs with three broken angles.
PGM-46

Small rectangular weight with two parallel lines that cross it in the widest part and inside a small perpendicular lines that resemble…
PGM-47

Square weight with two circumferences inside which there are several concentric circles cut into two halves by two thick parallel lines.
PGM-48

It weighs with a lead load on top. This procedure was used to complete the weight.
PGM-49

It weighs with two embossed squares inside. Very old patina.
PGM-50

It weighs through a blade and a cross that divides it into four equal parts with a blade in each.
PGM-51

It weighs square with a spiral drawing that occupies the entire center a small angular lines in the corners.
PGM-52

Small weight representing a snake curled with its head raised.
PGM-53

This weight is an irregular square with a smaller square, embossed, inside on which three small semi-spheres are raised.
PGM-54

It weighs square with a small rectangle on top , embossed , on which rises another square formed by short irregular lines…
PGM-55

This small scepter or baton represents a character sitting on an akan stool.
BST-51