
Comb Colono
Nice comb that represents a settler dressed in jacketsuit, hat and tie, extraordinarily rare thing in Ivory Coast, given the heat.
PNS-29
Text of the original catalogue
According to legend, at the end of the century XVIIIan Akan group, related to the Anyis, led by Queen Abla Pokou, niece of King Ashanti OsaiTutu, flees Ghana and tries to take refuge in Ivory Coast. He went to the death of the monarch when a war broke out over the succession to the throne between Abla and his brother Dako. Persecuted by Dako's troops, Abla is forced to flee to the neighbouring territory of Côte d'Ivoire as far as the river Comoé, infested with crocodile, west of Abenguru. Braking in their flight by this raging river and following the advice of their fortune-teller, the queen did not hesitate, to save her people and to be able to cross the river, to sacrifice her newborn son in order to obtain the help of the gods. Holding his son with both arms and lifting him over his head he threw him into the river shouting “baouli” (the child has died), thus giving a new name to his people. The crocodiles pelotated to get a part of the dam forming a compact and solid surface that allowed them to cross the river to their people. And this is how the people were born on this other shore of the Comore. BauléThe Baulé are located in the centre of Ivory Coast, in its capital Yamusukro and in the cities of Tiebisú, Tumodi, Dimbokro, Beumí and Sikasso, considered the moral capital of the Baulé, where legend tells that Queen Poku came with her people from Gana. They have ruled the country for forty years in the second half of the century XX. They learned, apparently, to carve the wood of the gourd and the aesthetic feeling that emerges from their masks and statues is unparalleled. For them, at birth, each individual leaves a family in the other world. In adulthood jealousy comes to the couple, instilled by the spouse of the afterlife. That is why the fortune teller orders to make a statue, as beautiful as possible, that will be welcomed as if the husband or wife of the other world came to reconcile with the spouse of the earth. After a ceremony, sort of a wedding, the statue will be kept in the bridal chamber, decorated and fed regularly. Blolo Bian is the husband and Blolo Blah the wife of the hereafter, our origin and our destiny. Therefore for I baulé their statues more than in relation to the world of ancestors are with the realm of divination. The Asian usu represent the spirits or geniuses of nature. They are intermediate divinities that can be favorable or harmful. In order to be favorable, the fortune-teller orders to carve an effigy as beautiful as possible, so that the genius will be at ease in his new cabin. He is usually depicted as a bearded man, of beautiful factions, sitting on a throne. Akan, often with an egg in hand, symbol of the universe. He will receive sacrifices and libations from families or from those possessed who will thus obtain his favors and protection. These statues will be transmitted from generation to generation to ensure the well-being of families.
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Nice comb that represents a settler dressed in jacketsuit, hat and tie, extraordinarily rare thing in Ivory Coast, given the heat.
PNS-29

Colonus with red painted face as well as the pole carrying white moles.
COL-3

Character with short blue pants, just like the hat. White shirt with wide blue band at the bottom.
COL-4

Figure that represents a football player from the 1960s or 1970s.
COL-5

Female figure, which appears to be a representation of ancestor, as it has been venerated as shown by the different projections it…
COL-6

It is a fine sculpture as shown by the numerous sizes, hairstyle, earrings, necklace.
COL-7

Beautiful face of pregnant woman with a sophisticated style of ceremonies that appears very rarely in statues and baulé masks.
COL-9

Statue of woman seated of extraordinary dimensions within the settler style.
COL-10

Woman in swimsuit.
COL-11

Representation of a settler of Nedra race bearing the colonial helmet of the first epoch.
COL-12

Former piece from a village of Baulé.
COL-15

Rare settler-style piece in dense wood.
COL-16

It represents an African woman, quite light in colour, in a rare position in this type of statuery, the hands resting on…
COL-17

Typical representation of a settler boy, with arms down and separated from the body.
COL-18

A settler-style woman with European and African elements.
COL-19

Representation of a settler in the classic carefree attitude, the left hand in a pocket and the right arm extended along the…
COL-20

The myth of Mamy Wata extends over a wide area of the African continent, especially along the Atlantic side.
COL-21

Delicate sculpture of a settler style woman, with facial scarifications, wood color with beautiful patina.
COL-22

Woman sitting on a stool Akan, with generous naked breasts, carrying a cup of offerings, of those destined to contain kola nuts.
COL-23

Representation of a man of law, surely a judge of the colonial era with robe and birete, in thoughtful attitude and hands…
COL-24

Although a large part of the Baulé statues of the so-called "colonial style", with a red body, which is the color they…
COL-25

Animist sculpture of the settler style.
COL-26

Tirachinas representing a footballer holding the ball with both hands, kneeling on the base of the handle.
COL-27

Colony style slingshots whose handle represents a woman with a short white set and red body follow the classic style.
COL-28