
Notable
A remarkable bulwark with his cane in his right hand while posing his left hand in the pruning parts. tribal scarifications on…
BRN-112
Text of the original catalogue
According to legend, at the end of the century XVIIIan Akan group, related to the Anyis, led by Queen Abla Pokou, niece of King Ashanti OsaiTutu, flees Ghana and tries to take refuge in Ivory Coast. He went to the death of the monarch when a war broke out over the succession to the throne between Abla and his brother Dako. Persecuted by Dako's troops, Abla is forced to flee to the neighbouring territory of Côte d'Ivoire as far as the river Comoé, infested with crocodile, west of Abenguru. Braking in their flight by this raging river and following the advice of their fortune-teller, the queen did not hesitate, to save her people and to be able to cross the river, to sacrifice her newborn son in order to obtain the help of the gods. Holding his son with both arms and lifting him over his head he threw him into the river shouting “baouli” (the child has died), thus giving a new name to his people. The crocodiles pelotated to get a part of the dam forming a compact and solid surface that allowed them to cross the river to their people. And this is how the people were born on this other shore of the Comore. BauléThe Baulé are located in the centre of Ivory Coast, in its capital Yamusukro and in the cities of Tiebisú, Tumodi, Dimbokro, Beumí and Sikasso, considered the moral capital of the Baulé, where legend tells that Queen Poku came with her people from Gana. They have ruled the country for forty years in the second half of the century XX. They learned, apparently, to carve the wood of the gourd and the aesthetic feeling that emerges from their masks and statues is unparalleled. For them, at birth, each individual leaves a family in the other world. In adulthood jealousy comes to the couple, instilled by the spouse of the afterlife. That is why the fortune teller orders to make a statue, as beautiful as possible, that will be welcomed as if the husband or wife of the other world came to reconcile with the spouse of the earth. After a ceremony, sort of a wedding, the statue will be kept in the bridal chamber, decorated and fed regularly. Blolo Bian is the husband and Blolo Blah the wife of the hereafter, our origin and our destiny. Therefore for I baulé their statues more than in relation to the world of ancestors are with the realm of divination. The Asian usu represent the spirits or geniuses of nature. They are intermediate divinities that can be favorable or harmful. In order to be favorable, the fortune-teller orders to carve an effigy as beautiful as possible, so that the genius will be at ease in his new cabin. He is usually depicted as a bearded man, of beautiful factions, sitting on a throne. Akan, often with an egg in hand, symbol of the universe. He will receive sacrifices and libations from families or from those possessed who will thus obtain his favors and protection. These statues will be transmitted from generation to generation to ensure the well-being of families.
608 objects · page 17 of 26

A remarkable bulwark with his cane in his right hand while posing his left hand in the pruning parts. tribal scarifications on…
BRN-112

Figurine acquired in Abidjan in the mid-sixties of the last century.
BRN-117

Figure of a man pushed forward with an object in his hands whose meaning we do not know.
BRN-119

Small crocodile used in divinatory practices. The reddish color is due to palm oil.
MRF-23

It is the geniuses or spirits of nature that can intervene in the world of humans by granting them their favors or…
-24

Open ivory bracelet , with patterns of stretch marks in part of its surface.
PYB-36

Curious braided bracelet based on cylindrical strips of ivory and horn properly polished.
PYB-40

Bracelets and rings of elephant hair, acquired in Abidjan in the mid-sixties of the last century.
PYB-41

Swords used by kings and court notables in great ceremonies.
ARC-9

Comb commonly used by notable women to hold hair. He's got one end of it and a tooth or pick.
PNS-22

Comb Akan topped with a male head, with fine braided knob. Rectangular comb body, decorated on its edges with overlapping concentric semicircles.
PNS-23

Slingshots or slingshots, depending on the region, are actually a small, sling-like, first weapon capable of injuring or killing remotely.
TRCH-33

Scene of village with two women carrying the water and another stacking the cereal, while the man is represented with a spear…
TPC-16

According to Susan Vogel, who has studied in depth the customs and traditions of BauléThe Goli is a show that lasts for…
MFES-1

The Goli Glin mask is one of the main masks participating in the Goli.
MFG-77

Portrait masks or “double” masks, ndomathey are supposed to be the “double” of the person whose face is represented.
MFANT-182

It is a female mask that presents all the delicacy of the Baule women's masks.
MFANT-183

Family masks are not intended for dance or participation in religious, funeral or playful ceremonies.
MFAZ-89

Heavy wooden hull used by Baulé During the colonial period, these helmets were made by copying the colonizers' salacots.
TCD-7

Heavy wooden hull used by Baulé During the colonial period, these helmets were made by copying the colonizers' salacots.
TCD-8

These masks intervene for the enthronement of the chiefs and assert the rank of women in a society in which the power…
MFANT-194

The portrait masks receive this name because they are supposed to be the “double” of the person whose face is depicted.
MFANT-198

The portrait masks receive this name because they are supposed to be the “double” of the person whose face is depicted.
MFANT-199

The triangular flint of the face qualifies this mask as a sun mask.
MMN-5