
Tobillera
Ovoid-shaped iron tobillera or bracelet, forming the sides a kind of semi-closed shell.
PYB-13
List of the historical catalogue
Text and organisation of the original catalogue · Jesús Arrimadas Saavedra
Ornamentation is not just a female symbol. Kings and notables make abundant use of gold, copper or brass jewels in addition to other metals. The jewels denote the importance of the wearer. Female ankle bracelets, depending on their weight and size, indicate that the range of their wearers frees them from ordinary household chores while forcing them to walk in a special way that increases their appeal and seduction power. Arms, legs and ankles as well as neck, forehead or nose, or size and torso can be adorned with bracelets, necklaces and other jewelry. There are pearls and necklaces exclusively reserved for the use of kings and high dignitaries, as is the case in Benin. Brass and copper jewelry, the so-called African bronze, manufactured by the method of lost wax, are widely used in Africa, as are garments or ornaments decorated with cauris or beads and beads bracelets and beads of ceramic. These are often recovery metals. The cauri, has served as currency, in some places, until well into the century XX. It is a symbol of female fertility, indispensable element in divinatory and magical rites, and habitual ornament of statues, masks and garments. The bracelets, like the other jewels, are part of the family heritage, they are part of the dowry in most cases and customary barter currency in almost all regions. Likewise many bronze bracelets are coin, part of the dowry and always family heritage.
81 objects · page 3 of 4

Ovoid-shaped iron tobillera or bracelet, forming the sides a kind of semi-closed shell.
PYB-13

An old ankle bracelet or ankle bracelet, oblong and hunched in shape, with ends forming geometric drawings in front of each other…
PYB-14

Open bracelet with three ledges in the form of broad nail heads and the figure of a small animal of difficult interpretation,…
PYB-15

Armband composed of three joined parts forming two concave grooves in the interior areas, on the sides of the central ring and…
PYB-16

Bracelet with the embossed drawing of a high court dignitary.
PYB-17

Bronze bracelet whose edges form lace lines with a broken line in the form of triangles in which small holes are lodged.
PYB-18

Bronze bracelet, from the Merona region to the north of the country, elaborated by the procedure of lost wax.
PYB-19

Open bronze bracelet, made from lost wax. Philigree drawings.
PYB-20

Old bronze bracelet made by the beginning of lost wax.
PYB-21

Heavy bronze bracelet. These bracelets were offered to the new one and thus became part of the family heritage.
PYB-22

This old, heavy bracelet is surely a wedding gift from a father to his daughter or a man to his wife.
PYB-23

Small, heavy and artistic beté bracelet. Striated body and lace forming.
PYB-24

Open bracelet carrying a spider decoration. The spider is a symbol of work and intelligence.
PYB-25

Armband closed with a decoration of braided cordoncillo forming filigree.
PYB-26

Female bracelet also used as barter coin. Greenish patina.
PYB-28

Good size tobillera formed by two pieces, almost symmetrical, joined by the center with a double tangle.
PYB-29

Spherical bracelet, with a wide section on the poles, whose borders are decorated and reinforced with a bow in the shape of…
PYB-30

Soy-type ankle bracelet that has been used.
PYB-31

Bracelet baulé very old, century XIX or earlier, made from a thin sheet of the so-called African bronze.
PYB-32

Very old bracelet from Ife.
PYB-33

Closed bracelet, used in addition to as a feminine ornament as a barter coin.
PYB-34

Fine and simple ivory bracelet whose reddish color appears to have been obtained with palm oil.
PYB-35

Open ivory bracelet , with patterns of stretch marks in part of its surface.
PYB-36

Bracelet open with three wider and hollow parts to contain a small seed that produces a rattle when moving the hand.
PYB-37