
Statue of Ancestor Tadep
Former statue with costrosa patina formed by libations and sacrificial offerings.
EMS-1
List of the historical catalogue
Text and organisation of the original catalogue · Jesús Arrimadas Saavedra
OVERVIEWS AND ANTIANS It is the most revered figure in Africa. But forefathers are not the dead. In Africa you do not die, you change your life, you change your dimension. It passes from the land of the living to the world of spirits. The body returns to the land to which humans belong and the spirit goes to the spirit kingdom from where it continues to act according to its qualities either bad or good. But to access the rank of ancestor, certain requirements must be met. Not everyone who takes this world away becomes ancestors. It is essential, during the stay in this world, to have had exemplary conduct in all aspects of social, religious and family life and to have attained the human degree of maturity obtained through marriage and the procreation of an offspring. A single or childless man will never reach the rank of ancestor. Women can also reach this rank. Once they are dead, they need to perform funeral rites and later mourning rites, processes that can sometimes last for several years. If the spirit separates itself from its carnal envelope too quickly, it can stay around the house and disturb its inhabitants, even after the burial. That is why, in addition to the rite of death, another is celebrated, according to the ethnic groups, at forty days, to give the deceased a second chance to enter the world of spirits together with the other ancestors. The ancestor has a real and active presence in the family and in the village. He usually tries to be favorable to his own by intervening in the most important moments of social or religious life, on the condition that they behave well with him, otherwise it could bring them much trouble and misfortune. In order to attract his protection and help, he is offered sacrifices and offerings, and statues are often made, showing great dignity, representing him and venerated in family altars or incarnated in a specific mask during ceremonies. These statues or masks have a deep sacred character and are kept under the shelter of the eyes of the profane. If elders inspire great respect in African societies, for authority and respect are obtained with age and their advice is indispensable for the proper functioning of their various institutions, the ancestors inspire true fervor, accompanied by affection, respect, devotion and fear. The ancestor occupies a higher place than that of the most important but inferior living descendant than that of the secondary gods or geniuses of nature, all of them intermediaries of different rank before the Supreme God or Creator God, to which man cannot, out of respect, address directly. African society teaches us to know the value of the family and to honor and respect the elderly. The African family does not break up. On the contrary, as the children marry, it increases and strengthens with the incorporation of new members, until the parents become elderly. The old man does not retire, he does not leave society as an old or useless mess. He will not be placed in an asylum. He will join the Council of Elders which advises those responsible for the community to take advantage of their advice and experience. The elder is an intermediary between the community and the ancestors. It is the closest step to the world of spirits, for it will soon become an ancestor, if it has had offspring and has been a worthy man adorned with virtues, after the fulfillment of the prescriptive funeral rites. Many of the so-called ancestor figures are actually funeral figures, which have nothing to do with a concrete ancestor, although delimitation in both camps is difficult because in certain ethnic groups small statues were placed in the tombs to represent the ancestor. Normally the figures of ancestors have the best defined features, their size is more precise both in the body and in the hands. Funeral figures are more symbolic and have a less finished appearance and sometimes deteriorated because they have been exposed to the inclementness of time because they have remained on or near the tombs for quite some time. Funeral figures are often naked showing often the sexual organs, which in traditional Africa has no sexual connotation, is simply the symbol of the reproductive capacity that gives life in the case of these funeral figures, of death and rebirth to the new life. The purpose of the statue is to be the support of the ancestor’s immortal double after his death. The object of the mask is the transubstantiation of the ancestor. The statues are the object of offerings and libations as material support of the ancestor. The cult of ancestors is not “a cult of the dead”, it is simply a “cult of the ancestors”. The ancestors are there, present, in another dimension. To die, for Africans, is to take “a step” towards another way of life, just as birth is a “step” from “no life” to life. In many societies in Africa, three “step” or “transit” rites are held. They are like gateways that unite different areas of life: that of birth, initiation, access to adult life, and death, through which, if certain circumstances are fulfilled, the rank of ancestor is accessed.
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Former statue with costrosa patina formed by libations and sacrificial offerings.
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Statue from the Cameroonian border with Nigeria.
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The Hemba are implanted on the right bank of the Lualba River where they arrived, probably from the territory of today's Tanzania,…
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Polychrome statuette, red eyes, mouth and belly.
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Mask used in dances. It dances placed on the shoulder and manifests as a presence coming from the other m undo.
MHB-3

Couple of asie usu.
PAR-3

Old statue with whitish due to an indigenous conservation treatment.
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Enigmatic and curious statue.
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Ancient statue of a magnificently sculpted ancestor. The face denotes the serene wisdom shown by the elders of traditional Africa.
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Mystical husband or from beyond in dry wood and patina color honey.
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Statue of an ancestor in very dense wood.
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An ancestor statue with raised arms, reminiscent of the Tellems of Mali, in the traditional attitude of imploring the rain or forgiveness…
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Mumuye blacksmiths sculpt mainly female statues, longline in shape and of heavy wood, called iagalagana they are kept in huts owned by…
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The Sikasingo are installed in the northwest part of Lake Tanganyika, next to the Bembe and to Lega.
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Figure of ancestor with arms plagued on the sides, with hands stretched out but fingers together.
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Curious figure with hands slightly touching the sides and arms bent at the height of the forearm forming a right angle and…
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The hunter is one of the most important characters in traditional African societies.
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Expression of dignity and serenity in this statue of ancestor belonging to a member of the secret Bwami society.
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A comb divided into two parts, like crests, from the top of which two rope braids go down backwards.
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Dark and deep patina.
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The figure of this ancestor respects perfectly the canon baule.
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Mystical husband figure. Expression of the sweet and serene face, of a pure ballet style.
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Statue of notable or ancestor as indicated by the bearded necklace.
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This statue forms a pair with the female statue and is the only couple of this ethnic group of which I have…
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