
Women’s Pectoral Decoration
Piece of ornament, in the form of a semi-sphere, with embossed drawings, which the women put baulé in the chest to adorn…
CYA-34
Text of the original catalogue
According to legend, at the end of the century XVIIIan Akan group, related to the Anyis, led by Queen Abla Pokou, niece of King Ashanti OsaiTutu, flees Ghana and tries to take refuge in Ivory Coast. He went to the death of the monarch when a war broke out over the succession to the throne between Abla and his brother Dako. Persecuted by Dako's troops, Abla is forced to flee to the neighbouring territory of Côte d'Ivoire as far as the river Comoé, infested with crocodile, west of Abenguru. Braking in their flight by this raging river and following the advice of their fortune-teller, the queen did not hesitate, to save her people and to be able to cross the river, to sacrifice her newborn son in order to obtain the help of the gods. Holding his son with both arms and lifting him over his head he threw him into the river shouting “baouli” (the child has died), thus giving a new name to his people. The crocodiles pelotated to get a part of the dam forming a compact and solid surface that allowed them to cross the river to their people. And this is how the people were born on this other shore of the Comore. BauléThe Baulé are located in the centre of Ivory Coast, in its capital Yamusukro and in the cities of Tiebisú, Tumodi, Dimbokro, Beumí and Sikasso, considered the moral capital of the Baulé, where legend tells that Queen Poku came with her people from Gana. They have ruled the country for forty years in the second half of the century XX. They learned, apparently, to carve the wood of the gourd and the aesthetic feeling that emerges from their masks and statues is unparalleled. For them, at birth, each individual leaves a family in the other world. In adulthood jealousy comes to the couple, instilled by the spouse of the afterlife. That is why the fortune teller orders to make a statue, as beautiful as possible, that will be welcomed as if the husband or wife of the other world came to reconcile with the spouse of the earth. After a ceremony, sort of a wedding, the statue will be kept in the bridal chamber, decorated and fed regularly. Blolo Bian is the husband and Blolo Blah the wife of the hereafter, our origin and our destiny. Therefore for I baulé their statues more than in relation to the world of ancestors are with the realm of divination. The Asian usu represent the spirits or geniuses of nature. They are intermediate divinities that can be favorable or harmful. In order to be favorable, the fortune-teller orders to carve an effigy as beautiful as possible, so that the genius will be at ease in his new cabin. He is usually depicted as a bearded man, of beautiful factions, sitting on a throne. Akan, often with an egg in hand, symbol of the universe. He will receive sacrifices and libations from families or from those possessed who will thus obtain his favors and protection. These statues will be transmitted from generation to generation to ensure the well-being of families.
608 objects · page 22 of 26

Piece of ornament, in the form of a semi-sphere, with embossed drawings, which the women put baulé in the chest to adorn…
CYA-34

Piece of ornament, in the form of a semi-sphere, with embossed drawings, which the women put baulé in the chest to adorn…
CYA-35

Piece of ornament, in the form of a semi-sphere, with embossed drawings, which the women put baulé in the chest to adorn…
CYA-36

Piece of ornament, in the form of a semi-sphere, with embossed drawings, which the women put baulé in the chest to adorn…
CYA-37

Piece of ornament, in the form of a semi-sphere, with embossed drawings, which the women put baulé in the chest to adorn…
CYA-38

Balance plate of those used for the greasing of gold powder Akan.
APO-20

Small dish of those used to weigh gold powder AkanOld patina.
APO-21

Ancient weighs in the form of a bird, possibly well before the century XIX.
PDP-13

It weighs on the turaco.
PDP-14

Ancient weighs in the form of a bird, possibly from the century XIX.
PDP-15

Very old weight, possibly of the century XIX or earlier.It weighs on the turaco.
PDP-16

Very old weight, possibly of the century XIX or earlier.The bird is also a source of proverbs, for example, "Only birds of…
PDP-17

Very old weight, possibly of the century XIX or earlier.It weighs on the turaco.
PDP-18

This bird with its head turned back is named after Sankofa and symbolizes the king who knows everything that happens behind his…
PDP-19

The bird is also a source of proverbs, for example, "Only birds of the same species can play in the same tree"…
PDP-20

It weighs in the form of fish.
PFG-21

The drum or tam-tam is undoubtedly the most widely used musical instrument in Africa.
PFG-22

Ancient weight that represents a farmer with the shoulder hoe and his staff in the right hand.
PFG-23

It weighs the gold dust that represents a hoe (the hoe is "the dar") main tool used by the peasants to work…
PFG-24

It weighs the gold dust representing a peasant returning from his field with a poop sheath on his head and his staff…
PFG-25

It weighs the gold dust that represents an azadón (the hoe or the azadón is "the dai") main tool used by the…
PFG-26

It weighs the gold dust that represents a peasant returning from his field smoking the pipe and holding with his left hand…
PFG-27

It weighs the gold dust that represents a hoe (the hoe is "the dar") main tool used by the peasants to work…
PFG-28

It weighs the gold dust that represents an azadón (the hoe or the azadón is "the dai") main tool used by the…
PFG-29