
Facial mask Kpan
Former female Kpan mask who has participated in the Goli dances. these pieces that carry a horned headdress are named after Khan…
MFANT-91
Text of the original catalogue
According to legend, at the end of the century XVIIIan Akan group, related to the Anyis, led by Queen Abla Pokou, niece of King Ashanti OsaiTutu, flees Ghana and tries to take refuge in Ivory Coast. He went to the death of the monarch when a war broke out over the succession to the throne between Abla and his brother Dako. Persecuted by Dako's troops, Abla is forced to flee to the neighbouring territory of Côte d'Ivoire as far as the river Comoé, infested with crocodile, west of Abenguru. Braking in their flight by this raging river and following the advice of their fortune-teller, the queen did not hesitate, to save her people and to be able to cross the river, to sacrifice her newborn son in order to obtain the help of the gods. Holding his son with both arms and lifting him over his head he threw him into the river shouting “baouli” (the child has died), thus giving a new name to his people. The crocodiles pelotated to get a part of the dam forming a compact and solid surface that allowed them to cross the river to their people. And this is how the people were born on this other shore of the Comore. BauléThe Baulé are located in the centre of Ivory Coast, in its capital Yamusukro and in the cities of Tiebisú, Tumodi, Dimbokro, Beumí and Sikasso, considered the moral capital of the Baulé, where legend tells that Queen Poku came with her people from Gana. They have ruled the country for forty years in the second half of the century XX. They learned, apparently, to carve the wood of the gourd and the aesthetic feeling that emerges from their masks and statues is unparalleled. For them, at birth, each individual leaves a family in the other world. In adulthood jealousy comes to the couple, instilled by the spouse of the afterlife. That is why the fortune teller orders to make a statue, as beautiful as possible, that will be welcomed as if the husband or wife of the other world came to reconcile with the spouse of the earth. After a ceremony, sort of a wedding, the statue will be kept in the bridal chamber, decorated and fed regularly. Blolo Bian is the husband and Blolo Blah the wife of the hereafter, our origin and our destiny. Therefore for I baulé their statues more than in relation to the world of ancestors are with the realm of divination. The Asian usu represent the spirits or geniuses of nature. They are intermediate divinities that can be favorable or harmful. In order to be favorable, the fortune-teller orders to carve an effigy as beautiful as possible, so that the genius will be at ease in his new cabin. He is usually depicted as a bearded man, of beautiful factions, sitting on a throne. Akan, often with an egg in hand, symbol of the universe. He will receive sacrifices and libations from families or from those possessed who will thus obtain his favors and protection. These statues will be transmitted from generation to generation to ensure the well-being of families.
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Former female Kpan mask who has participated in the Goli dances. these pieces that carry a horned headdress are named after Khan…
MFANT-91

Mask of great sculptural finesse on whose head are the heads and long necks of three stylized coves that stand over in…
MFAZ-20

The ram is the male of the herd. It is a symbol of fertility and strength.
MFZ-10

Small crocodile made by the procedure of lost wax, of a great realism and richness of details.
BRN-47

Representation of a dignitary of the cut performed by the procedure of lost wax, with excellent level of detail.
BRN-48

Representation of a real couple sitting on a stool Akan, performed by the procedure of lost wax.
BRN-49

Delicate statue of a woman with a pitcher on her head sitting on a throne Akan. hands in the belly as a…
EFM-35

Statue of Asie Usu or genius of nature embodied in the form of a pregnant woman.
MTR-13

The mendicant monkey is an important element of the Baule statuery.
FET-28

A beggar monkey or jungle genius, who puts his hands together towards the frenzy in a sign of peace and welcome.
FET-30

It is a wooden container, with two floors inside.
ORC-1

It is a wooden container, with two floors inside.
ORC-2

The spoon handle represents a man sitting on a Skan stool in meditation attitude.
CHR-19

Character in typically colonial dress. Hands in pockets and colonial cap, in unwrapped attitude.
TRCH-3

Magnificent mask from the middle of the century XX whose fineness, expression and perfection of carving is due to a great sculptor.
MFANT-105

Natural wooden portrait mask with weather skating.
MFANT-106

Great expression of serenity and dignity in this family mask of an important character given the quality of the sculpture.
MFANT-107

Mask portrait with black pigmentation, acquired in Abidjan in the mid-sixties.
108

These are the names with which the so-called “monkey beggar” is known.
FET-34

Double motherhood with one twin in the arms and another in the back.
MTR-15

Colon with hairstyle and ethnic proportions. He wears a blackened short.
COL-48

Rare baulé sorcerer mask.
MSOAL-4

Small bronze mask that perfectly reflects the artistic canons of the ethnic group.
BR-3

Mask worn over the head by a couple of notables sitting on a ballet sidewalk.
BR-4