
Hunter Mask
It represents an elephant with its trunk raised. The elephant is the representative animal of Côte d'Ivoire.
BR-1
List of the historical catalogue
Text and organisation of the original catalogue · Jesús Arrimadas Saavedra
Among the enormous multiplicity of African ethnic groups few have made metal masks. Except for the Dogon who have built some iron mask, there is no data on other masks made of the same metal. Although more numerous the manufacture and use of bronze masks is also limited to very few ethnic groups. Although the techniques of casting bronze and lost wax have been dominant for several millennia, as evidenced by the works produced that include an important variety of objects, small figures, exvotes, heads, statues, weights weighing gold, pipes and ornaments, the existence of bronze masks seems to date from much more recent dates, about six to eight decades, except for some of Benin’s old mask. These recent invoice masks have no known ritual value, they are rather prestigious masks intended to show the rank of their owners. Most of it is true works of art that demonstrate the great technique achieved by its castors. Some ethnic groups attribute protective and healing properties to them for what they are venerated in homes.
43 objects · page 1 of 2

It represents an elephant with its trunk raised. The elephant is the representative animal of Côte d'Ivoire.
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It's the mask from whose forehead a big beak comes down to the chin.
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Small bronze mask that perfectly reflects the artistic canons of the ethnic group.
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Mask worn over the head by a couple of notables sitting on a ballet sidewalk.
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Representation of a Kpelié mask with thin and elongated cylindrical horns bent down.
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Mask from the north of the Senufo country, with marked dogon influence, as can be seen from his nose in the form…
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Representation of a mask baulé with two animals on the sides of the top of the head that could be hyenas or…
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Representation of a kpelié mask with a stylized calao on the head.
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Rare senufus bronze mask whose patina attests to an important antiquity.
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This type of mask called Kam was used in the small kingdoms and chiefdoms of the Cameroonian Grassland during funeral ceremonies held…
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Kpelié mask with a cove pecking over the head.
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Passport mask elaborated by the procedure of lost wax, with profusion of details.
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The myth of Mami Wata extends over a wide area of the African continent, especially along the Atlantic side.
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Small masks also called “San Cristóbal”. They are employed by travellers travelling abroad or outside their region.
MPS-16

Bronze mask of the type passport that could also be destined to be hung.
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Curious bronze mask whose model to lost wax has required a thorough work but which presents numerous damages that seem to be…
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Small bronze mask that demonstrates a great mastery of sculpture and foundry by its filmmaker.
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Small bronze mask intended to receive the protection of the ancestors on it represented.
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Small masks also called “San Cristóbal”. They are employed by travellers travelling abroad or outside their region.
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Among the enormous multiplicity of African ethnic groups few have made metal masks.
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Among the enormous multiplicity of African ethnic groups few have made metal masks.
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Among the enormous multiplicity of African ethnic groups few have made metal masks.
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Among the enormous multiplicity of African ethnic groups few have made metal masks.
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Among the enormous multiplicity of African ethnic groups few have made metal masks.
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