Female Pombibele
Senufo · Côte d’Ivoire
Reference: ESFE-10
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- Height
- 72 cm
- Material
- Wood and pigments
In the rites dedicated to the cult of the ancestors and in the funeral honors of the members of the Pore participate two types of statues,…
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Full original description
In the rites dedicated to the cult of the ancestors and in the funeral honors of the members of the Pore participate two types of statues, the Pombibele, children of the Pore, who represent spirits and are borne by young initiates and who are represented as a couple, and Deblé.
The deblé, is almost always a female statue whose main purpose is to appear in funeral processions and mourning uprisings but also participates in ceremonies of the pore and in rites of passage such as births, initiation and marriages.
Its carriers beat the ground cadentiously to drive away evil spirits and obtain the favors and protection of ancestors.
They are elongated statues with a thick pylon-shaped base to resist beating against the ground. Women are always represented with generous breasts to enhance their motherhood. Normally they carry ritual scarifications. These statues are kept in the place destined for initiation, the sacred forest or synzanga, headquarters of Katyeleo. Often they carry on their forehead four stripes in the form of a cross whose arms are not touched, or a small bump in the middle of the stripes, which is the symbol of Katyeleo, mother of the earth and feminine divinity of the Senufo.
The statues Pombibele and the Deblé are very similar and very often subject to confusion. The Déblé They carry a handle on the top of the head to allow their grip and be able to hit the ground thus marking the pace of the steps. Mango of which the Pombibele, which are mainly used in the funeral honors of the Pore members.
Further technical information
- Width
- 10 cm
- Attributed period
- Mid-century XX or earlier.
Details transcribed from the original catalogue; they are not a recent physical inspection.
Country on the map
Côte d’Ivoire. The country associated with the catalog is shown, not the current location of the piece.
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Attributions, dates and accounts come from the preserved catalogue. They do not constitute certification of authenticity or provenance. An object’s presence on this website does not mean it is available for sale.