Votiva Andrógina image
Senufo · Côte d’Ivoire
Reference: FIV-25
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- Height
- 22 cm
- Material
- Wood and pigments.
The statues, offerings, votive figures and exvotes are not in Africa an offering dedicated to God or to the gods for a benefit received or the…
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Full original description
The statues, offerings, votive figures and exvotes are not in Africa an offering dedicated to God or to the gods for a benefit received or the supplication through which they are asked for a grace. The votive figure is usually a statuette, mainly of wood and rarely bronze, which does not exceed twenty-five centimeters. They are small figures, male or female, usually carved with quite coarseness, sometimes by the owners themselves, who are the object of family cults. They are protective figures of the family, receiving offerings and libations in exchange for their favors. They are kept in the altars and family sanctuaries. They represent some ancestor. It is not the exvote or offering dedicated to a higher being, it is that being superior to that which is made an offering, usually an illustrious ancestor, a deity or some being in relation to the cosmogony of the ethnic group. They are protective figures, object of worship in family altars. They receive libations and offerings in exchange for some favor, family protection, a cure, a good harvest, hunting or fishing, protection from a danger and very often the fertility of the fields and of the woman is demanded.
The purpose of these androgynous statuettes is to represent the ancestor for protection. Once in the afterlife little matter that the ancestor has been a male or female character, the important thing is that it has been elevated to a higher dimension from which it can be favorable to the family. Old patina.
Further technical information
- Width
- 5 cm
- Attributed period
- Mid-century XX or earlier.
Details transcribed from the original catalogue; they are not a recent physical inspection.
Country on the map
Côte d’Ivoire. The country associated with the catalog is shown, not the current location of the piece.
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Attributions, dates and accounts come from the preserved catalogue. They do not constitute certification of authenticity or provenance. An object’s presence on this website does not mean it is available for sale.