Ty Wara Mask, Segou Style

Bambara · Mali

Reference: MFG-64

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Material
Wood and pigments.

Tyi wara, ty o ti wara, chy, ci o cy wara are multiple names used to name the best known scimer mask of the Bambara. It…

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Full original description

 

Tyi wara, ty o ti wara, chy, ci o cy wara are multiple names used to name the best known scimer mask of the Bambara.

It is the mythical antelope, born of the union of the old mother Mousso Koroni and the snake, one of the five primordial animals, which taught men to cultivate the land and the secrets of agriculture. Its stylized representation of the hippotrago or horse antelope, is the emblem of the “Fla-n-kuru”, brotherhood of the Tyi Wara society, belonging to the age classes that brings together boys and girls in a single class of septenal age. These youth associations have as their social purpose to work in the dispossession or to help the most disadvantaged in the fields, such as sowing and harvesting. These aids are part of the initiation process. On the occasion of these works, preceded by a sacrificer carrying a fetish, a pair of dancers wearing the male and female Tyi Wara masks, animals protecting the crops, accompanied by a jester mask. The masks ran through the fields, imitating the movements of the hypothragus, in order to expel the “nyama” from them,

negative effluxes, detect any danger or discover evil geniuses able to pluck the soul from cultivated plants or the vital strength of their grains.

Mythology Bambara The hypothragus, sent by Faro, gave the man the first grain and then taught him how to work the earth. They always appear in pairs, male and female, always carrying the body covered by vegetable fibers and the mask fixed in a kind of wicker basket on the head or also by means of vegetable fibers and the bodies are completely concealed under a raffia and leafy fibers dress that symbolizes the rain.

The female antelope carries on its back a small antelope, as a symbol of motherhood and fertility.

The male couple symbolizes the union, strength and wisdom the farmer needs to fertilize and cultivate the land that will give him and his family food. It also evokes for the Bambara the analogy between the sexual act and the work of the earth, the analogy between the fertility of the woman and the work of the fields.

In the region of Bougouni they are called "Gousougou" or "Gouzoungou".

Another Ci Wara model is formed by stylized superimposition of pangolin, oriceteropo or anteater pig and hypothragus, three animals in close contact with the land, used mainly in the Baninko region. If the hypothragus taught to labor the earth, the oricteropo is characterized by its constancy and resistance to digging the soil while the pangolin, a terrestrial animal but frequent in the water is associated with the spirits and is therefore a symbol of fertility.

These masks are essentially involved in agricultural festivities and rites designed to attract rain.

These scimers are composed of the superimposition of different animals, the most frequent being the antelope, the oriceteropo and the pangolin, usually with the ears and horns of hypothragus in the head, although they can also represent the snake, the turtle, the crocodile or the chameleon.

 

Further technical information
Attributed period
Mid-century XX or earlier.

Details transcribed from the original catalogue; they are not a recent physical inspection.

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Mali. The country associated with the catalog is shown, not the current location of the piece.

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Attributions, dates and accounts come from the preserved catalogue. They do not constitute certification of authenticity or provenance. An object’s presence on this website does not mean it is available for sale.

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