Siluro mask
Gurunsi · Burkina Faso
Reference: MFG-36
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- Height
- 104 cm
- Material
- Wood and pigments.
It is one of the best-known masks of the Yatenga group, very similar to the karanga and are part of those known as Iron masks. She…
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Full original description
It is one of the best-known masks of the Yatenga group, very similar to the karanga and are part of those known as Iron masks. She mediates between the world of the living and the dead and evokes the human and divine dimension. He accompanies the deceased in their walk to their last abode. It is venerated in family altars.
The mask plate represents the tail of the fish. Siluro is a fish of important dimensions frequent in its rivers. Some òblados have a pool with sacred catfish in which the fetal spirits that are going to fertilize women reside, so sacrifices are made the altars erected next to the pond to request their intercession to favor women who have difficulty getting pregnant. According to their cosmogony all humans have been first catfish in the maternal viengtre. This more expensive is very important among the Gurunsi and the Winiama and is the first to appear at the festival of the celestial masks in the dry season.
Its wearer, dressed in wide cloths and leaves, holds it simply by biting a small stick that serves as a crossbar uniting the walls of the mask. Both its shape and its polychrome can be very varied.
It is very difficult to define precisely certain styles of an area where interaction between ethnic groups is very pronounced. A mask attributed to the Mossi may in certain cases belong to their relatives Bobo or have been made by some sculptor of the country Kurumba.
Visosa mask whose polychrome mimics the skin of a water snake, very frequent in its rivers.
Further technical information
- Attributed period
- Last third of the century XX
- Recorded weight
- 1 g
Details transcribed from the original catalogue; they are not a recent physical inspection.
Country on the map
Burkina Faso. The country associated with the catalog is shown, not the current location of the piece.
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Attributions, dates and accounts come from the preserved catalogue. They do not constitute certification of authenticity or provenance. An object’s presence on this website does not mean it is available for sale.