Maternity on Mount

Agni · Côte d’Ivoire

Reference: ESFE-8

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Material
Wood and pigments

The figure of motherhood is one of the oldest and most representative in Africa. She is represented with one or two children she is giving or…

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Full original description

The figure of motherhood is one of the oldest and most representative in Africa. She is represented with one or two children she is giving or has just breast-feeding. Other times, he's carrying his daughter behind his back. They do not usually represent a particular woman, but a woman who dispenses life and food, since their primary function is to give life and preserve it. In this case, he carries a child in his arms and goes over a very small mount of difficult cataloguing, totally disproportionate to the woman's body. The ringed neck as usual in agni women. Scarifications in the rosro and in the belly, which indicates that this is an initiated woman.

Women are a symbol of social life as they are the essential link in the lineage, the backbone of the family and often an essential element in the transmission of inheritance and, always, the protective element of children. Breast milk is not only a food of life, it is the sap that carries out the transmission of fundamental human values. In many cultures, women are the depository of tradition and the safeguarding of genealogies. He is often, divine, healer and connoisseur of the mysteries of nature clothed with great magical powers. The African woman, and especially the mother, is far from the image of her in the West.

Almost in a generalized way in these African representations of motherhood the essential figure, enhanced by its forms or the fineness of its strokes, is the mother. She is the center of the composition. The son is either disproportionately minor or his strokes are so elemental that they serve only to indicate the presence of the creature. All the prominence has been given to the mother. The wise and eminent African writerAmadou Hampâté Bâsays:“Everything we are and everything we have, we owe it only once to our father, but twice to our mother. Man, they say in our country (Mali), is nothing more than a distracted sower, while the mother is considered as the divine workshop where the Creator works directly, without intermediaries, to form and bring to maturity a new life. This is why in Africa the mother is respected almost as a divinity.

Old patina.

Further technical information
Attributed period
First third century XX or older

Details transcribed from the original catalogue; they are not a recent physical inspection.

Country on the map

Côte d’Ivoire. The country associated with the catalog is shown, not the current location of the piece.

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Attributions, dates and accounts come from the preserved catalogue. They do not constitute certification of authenticity or provenance. An object’s presence on this website does not mean it is available for sale.

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