Mask Helmet Waniugo

Senufo · Côte d’Ivoire

Reference: MCYC-27

View 1 of 1 · Press the image to enlarge

Material
Wood and pigments.

Mask belonging to the group Kponiugo or WaniugoWhich in turn is one of the five types of Wabelé masks. They are voluminous masks, very thick, that…

Enquire about this object
Full original description

 

Mask belonging to the group Kponiugo or WaniugoWhich in turn is one of the five types of Wabelé masks.

They are voluminous masks, very thick, that gather the attributes of several animals: Huge mouth, with an important teeth representing the crocodile; big horns, which can be buffalo or antelopes and fangs of facocero, African boar.

Between the two big horns there is a representation of the chameleon or calao. The calao represents the Senufo people and is associated with the cult of fertility. The chameleon would indicate a cult to the primordial Universe and would be the first being created by God. In all senufo realizations there is allusion to their totemic animals. The representation of their primal animals is constant : The chameleon, the turtle, the snake pyton and the calao, its great bird. “Waniugo” represents Poro’s head. In it are associated the buffalo’s strength, the antelope’s wisdom, the facocero’s impetus, and the crocodile’s aggressiveness and power.

Wanyugo masks are worn during the funeral ceremonies of the Initiatic Society of the Pore to obtain the deceased's access to the kingdom of spirits. Their function is to protect the village from evil spirits and sorcery and to preserve the community from misfortune and disease. Orogeny of the "sacred forest", sanctuary of the ancestors and of the spirits of the jungle, this mask was always covered by an initiate, member of the secret society of the village. The Porea secret society of male initiation, very powerful, whose dignitaries speak a secret language, plays an essential role in the life of the community. Weave bonds of fraternity and assistance between members of the same age class and of the same degree. . Your masks Waniugo never go out alone, always in groups, at least ten. On the masks have been painted white spots with kaolin, meaning that the ritual has been placed under the sign of the panther. The mask itself Waniugo symbolizes the universe in its origins, created by the divine architect or Kulotiolo. In this universe are represented all animals and the panther occupies a prominent place.

In the big mask there is a small glass to which the Senufo call “wa“ This cup contains a magic substance that can keep witches and sorcerers away from the village and allows the removal of masks in proper conditions.

In some regions they are Waniugo In this case, it doesn't have buffalo horns. Often this mask is sculpted in relief a sinuous line, which is the symbol of the great python ShebaThis is an allusion to fertilizing water, a factor in life.

The mask Waniugo The informants say that you can sit without suffering any damage, on a brazier, ride a single jump on the roof of a house, or burn a sorcerer without burning her hut.

.It is a fire spitting mask. When they go out at night, spit fire, for which they place a saucer with embers on the lower jaw on which they put a few pieces of plaster that the carrier blows when it starts to burn giving the impression that the mask spits fire, an impression enhanced by the fact that this exhibition takes place at night. If an uninitiated or a woman sees these masks they will be sentenced to pay a substantial fine.

 

Mask belonging to the Are bulky masks, very thick, that gather the attributes of several animals : Huge mouth, with an important teeth representing the crocodile; big horns, which can be buffalo or antelopes and fangs of facocero, African boar.

Between the two big horns there is a representation of the chameleon or calao. The calao represents the Senufo people and is associated with the cult of fertility. The chameleon would indicate a cult to the primordial Universe and would be the first being created by God. In all senufo realizations there is allusion to their totemic animals. The representation of their primal animals is constant : The chameleon, the turtle, the snake pyton and the calao, its great bird. “Waniugo” represents Poro’s head. In it are associated the buffalo’s strength, the antelope’s wisdom, the facocero’s impetus, and the crocodile’s aggressiveness and power.

                                                                                        

Wanyugo masks are worn during the funeral ceremonies of the Initiatic Society of the Pore to obtain the deceased's access to the kingdom of spirits. Their function is to protect the village from evil spirits and sorcery and to preserve the community from misfortune and disease. Orogeny of the "sacred forest", sanctuary of the ancestors and of the spirits of the jungle, this mask was always covered by an initiate, member of the secret society of the village. The Porea secret society of male initiation, very powerful, whose dignitaries speak a secret language, plays an essential role in the life of the community. Weave bonds of fraternity and assistance between members of the same age class and of the same degree. . Your masks Waniugo never go out alone, always in groups, at least ten. On the masks have been painted white spots with kaolin, meaning that the ritual has been placed under the sign of the panther. The mask itself Waniugo symbolizes the universe in its origins, created by the divine architect or Kulotiolo. In this universe are represented all animals and the panther occupies a prominent place.

In the big mask there is a small glass to which the Senufo call “wa“ This cup contains a magic substance that can keep witches and sorcerers away from the village and allows the removal of masks in proper conditions.

In some regions they are Waniugo In this case, it doesn't have buffalo horns. Often this mask is sculpted in relief a sinuous line, which is the symbol of the great python ShebaThis is an allusion to fertilizing water, a factor in life.

 

The mask Waniugo The informants say that you can sit without suffering any damage, on a brazier, ride a single jump on the roof of a house, or burn a sorcerer without burning her hut.

It's a fire spit mask. When they go out at night, spit fire, for which they place a saucer with coals on the lower jaw on which they put a few pieces of plaster that the carrier blows when it starts to burn giving the impression that the mask spits fire, an impression enhanced by the fact that this exhibition takes place at night. If an uninitiated or a woman sees these masks they will be sentenced to pay a substantial fine.

Call alsoKoniubulo. It has no horns or cup on its head to receive the magic substance or “wa” intended to ensure the success of the ceremony. Cinocephalus head, large and rounded. Small eyes and oval ears. His mouth is elongated and provided with fearsome teeth. Its use is restricted and corresponds to the caste of theDjeli. In other times theDjeliThey were an ethnic group. Today this group is made up of shoemakers and tanners.

theKoroblais the most popular funeral mask in the Senufo countries. In addition to funeral ceremonies, he participates in other types of ceremony.

This mask is covered by a bright red fabric and has cynocephalus cribs. A small drum hangs on his chest suspended by two membranes and, from time to time, uses it. TheSenufoThey say that if a woman or an uninitiated person sees this mask, he must die.Before the exit of the mask a dancer will ring a small bell to indicate its exit and allow women to hide.

The movements of this mask when dancing are slow. Participates in the funerary ritual of the “Lô”, cult of the ancestors, and in the rites of the ceremonies of initiation of societyDjeli. The manifestations of this society. Like all of the sacred masks are celebrated at night and in a place far from the profane, called “sinzange”.They have superhuman powers, can sit on the embers, make high jumps and spit fire through the mouth, effect produced by bunches of plaster lit and punctured in a stick at the end of the snout.

.

Further technical information
Width
45 cm
Attributed period
Mid-century XX

Details transcribed from the original catalogue; they are not a recent physical inspection.

Country on the map

Côte d’Ivoire. The country associated with the catalog is shown, not the current location of the piece.

Google Maps is loaded only when you press the button.

Attributions, dates and accounts come from the preserved catalogue. They do not constitute certification of authenticity or provenance. An object’s presence on this website does not mean it is available for sale.

← Back to results