Ibedji Kneeled With Offering

Yoruba · Nigeria

Reference: GML-19

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Height
19 cm
Material
Wood and pigments.

In the case of ”ibeji“ In Yoruba, ” “ibedji” means “twin”, if one or both twins die, the mother, on the advice of the sorcerer, orders…

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Full original description

In the case of ”ibeji“ In Yoruba, ” “ibedji” means “twin”, if one or both twins die, the mother, on the advice of the sorcerer, orders the manufacture of figurines, so that the twin souls do not separate, which are in fact but a single soul divided into two. These figures will occupy the place of the dead twin, but with the appearance that it would have as an adult, that is, as the human being that could have been and was not. The family will consider the statuette as a more twin During the holidays, their mothers will dance with them as if they were alive and daily will take care of them, feeding them, washing them and dressing them to deserve their good offices and this they will do until the surviving twin can take care of doing it himself. At the death of the surviving mother or twins, the statuette loses all its significance. Usually these statuettes are covered, in the family altars, with a vest of cauris.

In addition to the daily toilets, the Yoruba twins, Ibedji, are washed every four days, which corresponds to Yoruba week, which is established according to the markets. They are rubbed with “tekula”, red powder, and dressed as if they were alive, The sense of rite is to show that the deceased son has not been forgotten and that it would be welcome if he decided to redo a new earthly life.

Yoruba twins are endowed with great power, especially to attract fertility, but if the mother does not care for them properly they can cause their infertility.

Ibedji male kneeling with an offering in his hands. He wears a hat with a curved beak, numerous indigo remains.

Further technical information
Attributed period
Years 60

Details transcribed from the original catalogue; they are not a recent physical inspection.

Country on the map

Nigeria. The country associated with the catalog is shown, not the current location of the piece.

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Attributions, dates and accounts come from the preserved catalogue. They do not constitute certification of authenticity or provenance. An object’s presence on this website does not mean it is available for sale.

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