Ci Wara

Bambara · Mali

Reference: MCYC-54

View 1 of 6 · Press the image to enlarge

Height
55 cm
Material
Wood and pigments

Tyi wara, ty o ti wara, chy, ci o cy wara are multiple names used to name the best known scimer mask of the Bambara. It…

Enquire about this object
Full original description

 

Tyi wara, ty o ti wara, chy, ci o cy wara are multiple names used to name the best known scimer mask of the Bambara.

It is the mythical antelope, born of the union of the old mother Mousso Koroni and the serpent, one of the five primordial animals, who taught men to cultivate the land. Its stylized representation of the hippotrago or horse antelope, is the emblem of the “Fla-n-kuru”, brotherhood of the Tyi Wara society, belonging to the age classes that brings together boys and girls in a single class of septenal age. These youth associations have as their social purpose to work in the dispossession or to help the most disadvantaged in the fields, such as sowing and harvesting. These aids are part of the initiation process. On the occasion of these works, preceded by a sacrificer carrying a fetish, a pair of dancers wearing the male and female Tyi Wara masks, animals protecting the crops, accompanied by a jester mask. The masks ran through the fields, imitating the movements of the hypothragus, in order to expel from them the “nyama”, negative effluvios, detect any danger or discover the evil geniuses able to pluck the soul from the cultivated plants or the vital strength of their grains.

Mythology Bambara The hypothragus, sent by Faro, gave the man the first grain and then taught him how to work the earth. They always appear in pairs, male and female, always carrying the body covered by vegetable fibers and the mask fixed in a kind of hat on the head or also by means of vegetable fibers.

The female antelope carries on its back a small antelope, as a symbol of motherhood and fertility.

The male couple symbolizes the union, strength and wisdom the farmer needs to fertilize and cultivate the land that will give him and his family food. It also evokes for the Bambara the analogy between the sexual act and the work of the earth, the analogy between the fertility of the woman and the work of the fields.

Bougouni's style is characterized by several overlapping animals, usually a pangolin and antelopes. The scimer ends with a representation of the hypothragal horn. The pangolin has its legs ligérously folded and on it we have the re-resentation of an anteater bear that appears to be the oricteropo, on which stand the horns of the hypotragus, antelope horse or antelope sabre.

Further technical information
Width
25 cm
Attributed period
Mid-century XX or earlier.

Details transcribed from the original catalogue; they are not a recent physical inspection.

Country on the map

Mali. The country associated with the catalog is shown, not the current location of the piece.

Google Maps is loaded only when you press the button.

Attributions, dates and accounts come from the preserved catalogue. They do not constitute certification of authenticity or provenance. An object’s presence on this website does not mean it is available for sale.

← Back to results