Altar Figure A-Tshol

Baga · Guinea-Bissau

Reference: MSOAL-27

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Material
Wood and pigments.

This altar figure is named after A-Tshol, Elek and also Anok. It is used by Baga and for the Nalu in Guinea Bissao and in Guinea…

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Full original description

This altar figure is named after A-Tshol, Elek and also Anok. It is used by Baga and for the Nalu in Guinea Bissao and in Guinea Conakry.elek or a-Thol is a protective figure of altar and one of the fundamental elements of the religious culture of the Baga. It is also used by other neighboring towns with different names. The a-Thol is a figure in the form of an elongated human head that extends into a large bird beak used in the cult of ancestors and divinatory rites. It represents the first ancestor. This hollow head is sometimes inserted into a normally solid, circular base, which serves as a socket or body of the statue and in other cases both parts are carved into the same piece of wood. Like many masks, it was also used in funeral ceremonies, in agricultural festivities and its divinatory capacity allowed it to discover the sorcerers and the evildoers. And through his mediation Kanu, the Creator God, protects against witchcraft, disease, and evil omens. And, like masks, it is also an element of cohesion of the group. It is a piece used by the secret society of simo and is manipulated by the priest in charge of the maintenance of the altar and offering sacrifices. It appears in public at various events during the dry season.

The head, which is the essential figure, dates from mid or before the middle of the century XX. The original base or socket was lost throughout the times and a similar one has been manufactured to one of the most usual models, to give enhancement to the main piece.

Further technical information
Attributed period
Mid-century XX or earlier.

Details transcribed from the original catalogue; they are not a recent physical inspection.

Country on the map

Guinea-Bissau. The country associated with the catalog is shown, not the current location of the piece.

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Attributions, dates and accounts come from the preserved catalogue. They do not constitute certification of authenticity or provenance. An object’s presence on this website does not mean it is available for sale.

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